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Based on Canadian Lt. General Romeo Dallaire’s autobiographical book : Shake Hands with the Devil: The Failure of Humanity in Rwanda (J'ai serré la main du diable: La faillite de l'humanité au Rwanda) , this film recounts the 1994 Rwandan Genocide and the failure of United Nations in preventing it.

Shake Hands with the Devil is a familiar title to many Canadians. Lieutenant General Roméo Dallaire’s personal account of the 1994 Rwandan genocide has already seared itself into the collective conscience, first in print and then in Peter Raymont’s compelling documentary. Now, director Roger Spottiswoode and writer-producer Michael Donovan deliver a new version that recreates events rather than recalls them; it is a dramatic denouement to Dallaire’s remarkable story.
Roy Dupuis stars as General Dallaire, perfectly capturing the frustration of a military leader unable to stop the slaughter around him. Like its source material, the film follows Dallaire from his Canadian home to Rwanda, where the civil war is about to boil over. Shackled by an inadequate mandate and greatly short-handed, Dallaire is powerless to hold back the violence he knows is coming.
By filming on location in Kigali, Spottiswoode gives the film a realistic texture that allows the events to speak for themselves, particularly the global community’s utter failure to respond ethically to the genocide. The film’s stark and informed portrayal of the crisis excludes unnecessary melodrama but remains an emotionally devastating experience that enriches the story previously revealed in the book and documentary. Undertaking one of the most high-profile roles of his career, Dupuis deftly portrays Dallaire, projecting his humanity and feelings of guilt with a precision that elevates the performance: you never doubt him for a moment. Deborah Kara Unger provides an emotional counterpoint as a journalist in the midst of the civil war, and one of the few Westerners to understand what Dallaire faces. Shake Hands with the Devil joins recent films like United 93, Omagh and A Mighty Heart as a chronicle of a human tragedy that the cameras missed. It preserves history in the hope that films like these won’t be as vital in the future as they are now. – Jesse Wente;Toronto International Film Festival 2007

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